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+ <TITLE> [Mageia-artwork] [RFC] Proposed logo guidelines
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+ <H1>[Mageia-artwork] [RFC] Proposed logo guidelines</H1>
+ <B>Romain d'Alverny</B>
+ <A HREF="mailto:mageia-artwork%40mageia.org?Subject=Re%3A%20%5BMageia-artwork%5D%20%5BRFC%5D%20Proposed%20logo%20guidelines&In-Reply-To=%3CAANLkTinNLrv-wAzrkp%3D%2Br6RZW5dU%3DuChU%3DS9S56QH75f%40mail.gmail.com%3E"
+ TITLE="[Mageia-artwork] [RFC] Proposed logo guidelines">rdalverny at gmail.com
+ </A><BR>
+ <I>Wed Jan 19 10:49:10 CET 2011</I>
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+<PRE>Hi,
+
+On Wed, Jan 19, 2011 at 01:28, Olivier FAURAX &lt;<A HREF="https://www.mageia.org/mailman/listinfo/mageia-artwork">olivier at faurax.fr</A>&gt; wrote:
+&gt;<i> Le 18/01/2011 00:31, Romain d'Alverny a &#233;crit :
+</I>&gt;&gt;<i> On Tue, Jan 18, 2011 at 00:02, Caroline Garlatti &lt;<A HREF="https://www.mageia.org/mailman/listinfo/mageia-artwork">cgarlatti at gmail.com</A>&gt; wrote:
+</I>&gt;&gt;&gt;<i> Le dimanche 9 janvier 2011 17:52:28, Romain d'Alverny a &#233;crit :
+</I>&gt;&gt;&gt;<i> Indeed, I was working on it. You can see my first draft here:
+</I>&gt;&gt;&gt;<i> <A HREF="http://www.kalypo.com/share/">http://www.kalypo.com/share/</A>
+</I>&gt;&gt;&gt;<i>
+</I>&gt;&gt;&gt;<i> We have tried to:
+</I>&gt;&gt;&gt;<i> - rebalance the logo: increase the size of the text and reduce the cauldron
+</I>&gt;&gt;<i>
+</I>&gt;&gt;<i> Actually, the size of the text made smaller relative to the cauldron
+</I>&gt;&gt;<i> (see <A HREF="http://blog.mageia.org/wp-content/uploads/2010/12/mageia_logo.jpg">http://blog.mageia.org/wp-content/uploads/2010/12/mageia_logo.jpg</A>
+</I>&gt;&gt;<i> ) :-p
+</I>&gt;<i>
+</I>&gt;<i> Yes, the cauldron is bigger, but also wider.
+</I>
+Well, that's the other way around. :-) The text has been made smaller,
+to have the &quot;m&quot; aligned within the inner border of the cauldron
+(that's an important setting in this realignement), and the same &quot;m&quot;
+has been used to set the space around the icon (crucial setting too).
+
+&gt;<i> The cauldron border size was took from the size of the letter (bottom
+</I>&gt;<i> border of the &quot;e&quot;), the new version breaks the link between the cauldron
+</I>&gt;<i> and letter size.
+</I>
+Yes, but it will anyway if we change the font (and that may be an
+option). I understand that the initial link makes sense, and that's a
+good way to build the icon, but that too can be an intermediary step
+and the icon may live on its own later on (that is, the icon strutural
+definition may stand alone, separate from the initial &quot;e&quot;).
+
+&gt;<i> To me, this suggests that the name an &quot;annex&quot; of the logo, like if ti
+</I>&gt;<i> was of less importance.
+</I>
+Not of less importance, but balanced/contrasted; it makes both more
+remarkable: the icon is not a letter, but a distinctive sign, that may
+be on the left, or above the text.
+
+May be it can be rebalanced again, but you can't have a name that
+outweights the icon. Plus, negative space (around the full logo,
+around/between each of its components) is crucial.
+
+&gt;&gt;&gt;<i> - introduce a color . This proposal offers the possibility to have one logo but
+</I>&gt;&gt;&gt;<i> different color for each group (cf- Romain's mail_brand/logo management,
+</I>&gt;&gt;&gt;<i> official/derivative)
+</I>&gt;<i>
+</I>&gt;<i> We need to know where we are going with colors.
+</I>&gt;<i> Do we have some input from marcom ?
+</I>
+Not at this point. We'll add this point to discuss in the marcom
+meeting on Thursday. However we must go fast; or (it's likely to be
+this way given the time constraint) we will have a collector edition
+of tee-shirts for FOSDEM (understand it as, with a logo that is not
+the final official one). That may sound problematic at first, but it's
+not; time goes on and we already did that (have Mageia tee shirts with
+a temporary identity) for OWF back in October; and the
+finalized/updated logo will replace all instances.
+
+&gt;<i> I made some tests during the logo elaboration :
+</I>&gt;<i> <A HREF="http://www.flickr.com/photos/ofaurax/5118935357/in/set-72157625195368021/">http://www.flickr.com/photos/ofaurax/5118935357/in/set-72157625195368021/</A>
+</I>&gt;<i> <A HREF="http://www.flickr.com/photos/ofaurax/5119536536/in/set-72157625195368021/">http://www.flickr.com/photos/ofaurax/5119536536/in/set-72157625195368021/</A>
+</I>&gt;<i> <A HREF="http://www.flickr.com/photos/ofaurax/5159964096/in/set-72157625195368021/">http://www.flickr.com/photos/ofaurax/5159964096/in/set-72157625195368021/</A>
+</I>&gt;<i>
+</I>&gt;<i> The blue and orange are ok, but seems childish to me (I imagine them on
+</I>&gt;<i> a toy).
+</I>&gt;<i> It's ok if we don't want to suggest something &quot;rock-solid&quot; or corporate.
+</I>
+Define &quot;corporate&quot;, &quot;childish&quot;; it's like &quot;pro&quot; or &quot;commercial&quot; it's a
+word that's become difficult to define, especially since most of its
+usage is in a negative, contradictory or depreciative context.
+
+So I would rather prefer we stay out of subjective interpretations
+first and build from a similar set of rules as for the logo: initial
+intentions, some strict requirements, open tracks, and see what comes
+from this. That is, we build and define the story behind the logo,
+rather than only leave it open to interpretations from here and there.
+
+As an exemple of requirement: do not use or rely on Mandriva colour
+scheme (blue/orange/yellow); or of any other major Linux distribution.
+It does not prevent to use the same colours, but it requires to do so
+in a really distinctive manner/rearrangement.
+
+&gt;<i> Note that the bubble in orange seems more natural, as we expect lighter
+</I>&gt;<i> colors for bubbles.
+</I>&gt;<i>
+</I>&gt;<i> For the letters, perhaps we might color &quot;m&quot;, &quot;g&quot; and &quot;a&quot; of &quot;mageia&quot;, as
+</I>&gt;<i> this is its package suffix.
+</I>
+I'm not sure we should go further than marking more than one letter
+(or even a single one, actually). It makes the full logo confusing. It
+may still be relevant for bubbles/i-dot.
+
+&gt;&gt;<i> With the time, I don't know if the color-coding will be enough to
+</I>&gt;&gt;<i> differentiate official/derivative uses.
+</I>&gt;<i>
+</I>&gt;<i> I think that color is not enough to differentiate.
+</I>&gt;<i> We'll discussed that in another thread.
+</I>
+Yes.
+
+&gt;<i> - changed the font : this one is less wide (the &quot;e&quot; is no more rounded)
+</I>
+That was voluntary, because we wanted to use the same font for
+headlines ; in some context, it's easier not to have to change the
+font default properties. Or, it requires to have a precise track of
+what has been altered so it can be reproduced.
+
+&gt;<i> - filled the bubbles
+</I>&gt;<i>
+</I>&gt;<i> The new border size of the cauldron with the filling of the bubbles
+</I>&gt;<i> makes the icon heavier, especially the bubbles (I don't imagine tham
+</I>&gt;<i> popping anymore).
+</I>
+The gradient may contribute to the popping/lightness effect, no?
+
+&gt;<i> I think that we need to fill them, or at least put a color in them, but
+</I>&gt;<i> we might not lose the lightness of them (as this represents the boiling
+</I>&gt;<i> of ideas).
+</I>
+On the other hand, filling them makes the whole icon less complex
+(that's especially relevant for small size icons).
+
+&gt;&gt;<i> Anyway, we have two interesting refinement directions I guess:
+</I>&gt;&gt;<i> &#160;- caroline, with the gradient, filled-in bubbles, and color uses,
+</I>&gt;&gt;<i> &#160;- alexn83, with the font change (alexn83, I don't remeber, do you
+</I>&gt;&gt;<i> have the font reference, or is it reworked?) and the match of the i
+</I>&gt;&gt;<i> point with the bubbles
+</I>&gt;<i>
+</I>&gt;<i> I'll try to put my remarks in another refinement as a showcase, if I
+</I>&gt;<i> find some time.
+</I>
+Ok.
+
+Romain
+</PRE>
+
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